8 open-source VST plug-ins that emulate the atmospheric conditions of the planets in our solar system.
Between December 2018 and 2019, Stefana Fratila embarked on a series of research trips across North America (including to NASA Jet Propulsion Laboratory and NASA Goddard Space Flight Centre), meeting with astronomers and scientists in order to address a complex question: “If each planet in our solar system were a different room, what would each room sound like?”
Her ongoing creative research culminated in Sononaut, eight open-source VST plug-ins created for digital audio workstations (DAWs) that emulate the atmospheric conditions of the planets in our solar system (made in collaboration with artist Jen Kutler, using calculations by NASA astronomer and planetary scientist Dr. Conor Nixon).
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Stefana Fratila’s album I want to leave this Earth behind is the sonic extension of her creative research for Sononaut and was released as a double LP by Toronto-based label Halocline Trance (Casey MQ, myst milano, ACT!). A limited edition cassette was released by LA-based label Not Not Fun.
The solar system’s planetary bodies are inherently prohibitive even in regards to Earth’s most ‘able-bodied’. This project seizes upon a form of radical agency and science-fictive ambition, placing all human subjects within new worlds, into the interplanetary bodies of our solar system, through her own sonic imaginings.
The album was written, recorded, and produced by Stefana Fratila. She also worked with mixing engineer Jeremy Greenspan (Jessy Lanza, Caribou, Junior Boys), as well as mixing engineer Lisa Conway and mastering engineer Sage Kim.
Visual collaborators include Diana Lynn VanderMeulen, Haley Parker, Xuan Ye, and Peter Rahul.
BUY/ STREAM
Stefana Fratila is a Romanian-born artist, composer and sound designer based in Toronto, Canada. She is also a DJ and co-founder of CRIP RAVE, an event platform showcasing and prioritizing Crip, Disabled, Deaf, Mad, and Sick body-minds within safer and more accessible rave spaces.
She has exhibited, performed, and screened her work internationally, including at MoMA and e-flux (New York, USA), Ars Electronica (Linz, Austria), Kamias Triennial (Quezon City, Philippines), and the Power Plant Contemporary Art Gallery (Toronto, Canada). She has also completed residencies at the Banff Centre for Arts and Creativity, Wave Farm Transmission Arts, and CMMAS (Mexican Centre for Music and Sonic Arts). Her film scores have screened at Le Centre Pompidou, Toronto International Film Festival, New York Film Festival, Festival du Nouveau Cinéma Montréal, and The Viennale.
Since 2015, Stefana has released critically-acclaimed, boundary-pushing music via labels like ISLA, Bedroomer and Genero– capturing the attention of listeners and music journalists alike. Her track “Dancing” was chosen as Best of 2017 by XLR8R, calling it “a haunting cut”, with Thump describing it as “hypnotic”. For her 7” Swallowed Seeds/Knowing, she was lauded for producing “avant-garde techno that tackles misogynist violence with seething, technology-aided rage” (Vice) and for creating her own “distinct brand of experimental electronic music” (A-Side).
Photo by Shelby Fenlon
Styling by Amanda Lee Shirreffs
HMU by Nate Matthew